Wednesday, February 22, 2017

Agitprop John Lennon & Yoko Ono



Cristina, Bridget, and I did our presentation on Agitprop but more specifically, John Lennon and his bed-ins. One of John Lennon’s most known protests was on his honeymoon with Yoko Ono in March of 1969. They sat side by side in a “bed-in for peace” in Amsterdam Hilton to promote a stand for peace. They invited the press to come and tape the event with signs around them saying “hair peace” and “bed peace”. We discussed how they went about doing their bed-ins with song, and then we also discussed whether or not a bed-in would be successful today as a form of protest considering peace is something we are lacking ever since Donald Trump became the President.



Our Powerpoint Presentation


Wednesday, February 15, 2017

16 Beaver ST and Tana Hargest

16 Beaver St is an ever growing art group, in which people are welcomed to join,  mostly tackles with political and social issues like politics, art, and education. They are mostly activists and writers who come together regularly to discuss and raise concerns and questions on such issues. The space holds many different events and activities such as fundraisers, performances, and art auctions. The studio even collaborated with cover girls change 46664 to help bring awareness to AIDS/HIV. 16 Beaver also accepts interns to help manage the programs and events they hold and to help those who join grow intellectually and artistically.

Tana Hargest is a controversial artist who confronts and deals with issues of racism in the modern era. She runs a fictional company  called Bitter Nigger to confront on these issues. She received her masters in fine arts and photography from the Rhode Island School of Design in 1999. Hargest's sales pitch to promote a race free future and uses the internet to promote products that tackle social and racial tensions. Hargest has a concept for a theme park called Negrotopia where people can travel through their own racial history. Its composed of a 3D adventure ride through the middle passage, cotton bales on the Mississippi water ride, and an institute of thinking.

Both 16 Beaver and Tana Hargest bring up and tackle on questions and topics that people would rather not talk about or choose to brush aside and forget about it. They are both activism artists who aren't afraid to discuss and show the public that these sensitive and age old topics still hold prevalence in today's world and still need to be remembered and learned about.

https://16beaverstudio.wordpress.com/2012/10/



John Lennon's artwork continued

Yoko Ono continues John's legacy through displaying his artwork

Thursday, February 9, 2017

Women Role and Struggles in a Man Dominant Society.


Defending Women Rights 

       In the course of human civilization, there have been many conflicts, protest, and movements in order to agitate people to fight for freedom and equality. Although some have been successful achieving such rights, others were off the table and ignored for decades in a society dominated by man. It is simple to say that equality was not shared and enjoyed by all social classes and genders. In fact, it is observed that the progress made so far is not enough compared to the time people had lived in this world. For instance, women have been tough warriors fighting to be recognized for their work, their role in their homes and in their community, and their contribution to the progress of mankind.   
      Today, women have more opportunities or at least their status and their value in the society has changed from those who lived during an era where male dominance restricted and made them dependent human beings. Back in the early 1920s political revolutions rose due to surged conflicts nations were having because of the disagreement between the citizens and the leaders. The Soviet Union in the earliest 1920s used a "political strategy in which the techniques of agitation and propaganda are used to influence and mobilized public opinion." Britannica. Marxist Georgy Plekhanov elaborated the strategies of agitation, as the promulgation of a number of ideas to an individual or small group; and propaganda as a promulgation of a single idea to a large mass of people. This practice has been used by many political figures and leaders to initiate an idea or opinion and obtain public support. The term agitprop in English originated from these two words which have been used to communicate, inform and educate the public about social and political issues which affect different groups and consequently the society as a whole. 
  
International Working Women's Day
Is the Fighting Day of the Proletariat, 1931
Valentina Kulagina ( Russian, 1902-1987)
       Soviet artist and experimental book, poster and exhibition designer, Valentina Kulagina, a central figure of public agitation through posters and other graphic work that supported the aims and spirit of the Soviet government. She enlightened with her wry sense of humor and imagery in her unique method of photomontage relying on original illustrations. Here, the poster of the International Women's Day on 1931 expressed the struggle and injustice working women suffered. On March 1917 thousand of women in Petrograd march in protest of low wages and inadequate working conditions, they were exposed to. The march purpose was to demand respect and consideration for the work of women, yet it served also for the beginning of Russia Revolution and the ignited to promote a movement in celebrating International Working Women's Day in other neighboring nations and consequently around the world. The purpose of using art with propaganda as a way to protest and awake people against wrongdoing has been so effective and has driven a series accomplishment in making aware of the role of women in the progress and stability of the society.
Why the difference between genders?
Well, it hasn't been easy, women have to overcome many casualties and injustice. They have been the victims of ignorance, little opportunity, stereotypes, and labeling. Women have been the victims of their own insecurities implemented by the society consisting mainly on power restriction and inequality. There are many possible reasons to explain the unfairness but, one, in particular, could explain these reasons. The capacity of women to learn and perform jobs and roles as their male counterpart. If women can do almost the same things as men do, then what would men do? perhaps they could feel left out, unimportant and without control. Remember! this still is a society ruled by man. 

Agitprop is a powerful tool to inspired and promote an idea. It's a method that has images, words, and voice that reflect a living reality. Art and propaganda have facilitated to get people attention in a matter or cause that threatens freedom and civil rights. Nowadays, technology has incorporated more tools to get across easy and faster. People have the power to mobilize a message and informed people about problems that are affecting the peace, stability, and life of many individuals in the society. The news is constantly describing the problems and law corrupt governments and leaders offer to their people. Inequality and discrimination are the sparks to ignited a movement, a protest, a fight to stop what diminished humanity and empower ignorance and tyranny. 

Agitprop helps expressed an ideology with a justified purpose.   

Reference: 





Tuesday, February 7, 2017

McFadden and Vicuna

Joshua Rashaad McFadden has been considered one of the best upcoming photographers of this decade because of his portrayal of certain aspects of black culture. His visit to NJCU, as well as his “Come to Selfhood” exhibit that is on campus, opened my eyes to the way that certain emotions can be expressed through photography, as depicted in his project “After Selma.” The historical context of the piece is that Martin Luther King led a march in 1965 from Selma to Montgomery to secure voting rights for black people, and he captures the emotions of the elderly that have fought in a demonstrative way for their rights.

A depiction of the 50th anniversary march of the original march from Selma.


Let’s analyze this photo as an example. This is a depiction of a march to commemorate the 50th anniversary of the march. A lot sure has happened for African Americans – they have been allowed to vote, and even the last President is black. But not all has been peaceful – we can examine the events of Philando Castile, Treyvon Martin, and the #BlackLivesMatter movement. If we look at this picture without the context of McFadden’s project “After Selma,” we would probably deduce that this is a part of the #BlackLivesMatter movement. The elderly with the canes in the foreground of the picture represent the African American’s will to continue fighting for their rights, in the midst of a racially regressing and financially declining nation. I remember the readings that we were assigned these past few weeks and saw how the picture could be seen as a political image. Art is considered political, but given the context of this photo, it is clear to see that this image is intended to evoke a political feeling – specifically the “agitprop” feeling. McFadden deliberately knew what he was doing with this image by capturing a preacher with various elderly, such as the priest in the center and the women on the side with the sign “demand justice.”

I read about Cecilia Vicuna’s work in English class last semester, and when I saw her name show up in the list of artists in the online articles, I knew immediately that I wanted to look more of her up. Sadly, I also saw a quote that there was not much to gain from analyzing Vicuna’s work, hence the lack of time that her work will have in an exhibit. Her stories were mainly collections of memories, building a coherent timeline of events that she deems important to her readers.

A compilation of Vicuna's works.



This photo is also a collection of some of her works. Although it can be hard to talk about the painting as a whole, let’s look into some of the subsidized images. I found the yin yang image on the leftmost and two women on the bottom most contradictory. When comparing the two images, it can be said that the yin yang example is not always true, especially now. It seems that this specific instance is a representation of conformity, showing that a man is nothing without his woman and vice versa. It had been mainly taught in society that it is normal to have a heterosexual relationship, but with the everchanging mindsets of the millennial age, Vicuna might have thought about homosexual relationships, hence the two women in the bottom image. The most interesting part of these two images that struck me is that all the people depicted are nude. It is as if that they are to be accepted as for who they are, rather than for their appearance. I found it odd that the two women are having intercourse in a bathroom in that image. Could it be because they couldn’t have it anywhere else, or were they scared of being judged for their relationship? This strikes me as political because a lot of women’s rights have been shut down recently, which caused multiple protests across the country, especially the Women’s March. This is the problem that can be related easily to McFadden’s piece, because even though African Americans have been trying hard to push for their rights, they had also been shut down in various ways, such as police brutality. I think that now is a perfect time to utilize agitprop to bring about change because this will help both African Americans and women triumph under the new Presidency.

Works Cited

"'A Day without a Woman' -- Women's March Organizers Plan General Strike." CNN. Cable News Network, n.d. Web. 6 Feb. 2017.

"After SELMA." Joshua Rashaad McFadden. N.p., n.d. Web. 6 Feb. 2017.

Horner, Sarah. "Cop Who Shot Philando Castile ‘indeed Saw Gun,’ His Attorneys Say." Twin Cities. Twin Cities, 7 Feb. 2017. Web. 7 Feb. 2017.

"Paintings." Cecilia Vicuña. N.p., n.d. Web. 6 Feb. 2017.

The Change of War

The Manga and War exhibition at NJCU  holds the kind of art that makes you think and reflect on the history of humanity, and it's future. Manga and War showcase manga ( Japanese comics) illustrated and written about stories of WWII. The piece I focused on was Fumiyo Kono's "In This Corner of The World" telling the story of a young woman who survived the bombings and the inner turmoil she faces in a changed world.
Fumiyo Kono was born on September 28, 1968 in Hiroshima and started to draw manga when she was a junior high school student. Kono studied at Hiroshima University and moved to Tokyo later on. Her influences include Osamu Tezuka, and Fujiko Fujio, other famous manga artists.
In This Corner of the World illustrates and shows how one's whole world can change in the blink of an eye. The main character Suzu lived an innocent and peaceful life before the bomb raids and even after the war was over, she had to live through and overcome the horrifying aftermath. It relates to the class discussions because the world is rapidly changing and it can change a person so much. In John Berger's ways of seeing, this quote "To remain Innocent may also be, to remain ignorant"  ( Berger).Innocence is a very valued asset to a person but it blinds us into thinking there are no struggles or hardships in the world.

In This Corner of The World,  Fumiyo Kono, 2007-2009  

Another work that speaks of war, and humanity is Francisco Goya's "Third of May 1808." It shows of a man, dressed in white, arms up in surrender, surrounded by troops in black ready to kill him. The history of the painting is to show the rebellion against Napoleon's armies. Like In This Corner of the World, Third of May 1808 is about war and struggle. This painting was also featured in John Berger's Ways of Seeing documentary. War is a very terrible thing, that destroys so many lives, whether it be a life or an outlook on life. Right now, like the man in white, we are fighting for our rights as human beings in a very critical time in American History, and like Suzu, we are trying to come to terms on how to live in this new world so different from before. We either live through it, or rebel it.















Third of May 1808, Francisco Goya, 1814

Works Cited

Ways of Seeing By John Berger quotes 
https://www.goodreads.com/work/quotes/2507145-ways-of-seeing

Third of May by Francisco Goya
https://www.khanacademy.org/humanities/becoming-modern/romanticism/romanticism-in-spain/a/goya-third-of-may-1808

Post 1


Gran Fury focused his art to emanate the his activism mainly to make awareness to the leading causes of AIDS and to focus on what does not cause AIDS. His artwork was one that I would describe as a message within an illusion. At first what his work may seem like is a mere simplistic statement that has little impact, but it is when we spend time focusing on what the art and message is really trying to portray do we see the greater impact it can cause. As a girl who's family has had a history of AIDS and death caused by AIDS, I find his artwork to move me to really think about it.

AIDS had always been a topic in my family we never discussed even though we had someone close to us die from it. Everyone kept silent about how my uncle contracted AIDS that it became a mystery to my cousins and I because all we knew was that he was gay and that was that. The silence about the topic was unimaginably thick. One of Fury's most well known pieces of artwork was his , "SILENCE=DEATH graphic that came to define AIDS/HIV activist movement in the 1980s and the early 1990" (d'Addario).
Keeping silent the causes and effects of something as serious and life-threatening as AIDS is almost as bad as keeping silent about the fact that you have this disease and still sleep with your partner. Another one of Fury's pieces was a poster of three couples kissing. One being a straight interracial couple, another a gay couple and the last a lesbian couple. Fury used this to describe what his banner said, "Kissing Doesn't Kill: Greed and Indifference Do". Back around the time people like Magic Johnson were being infected by this disease we knew little to nothing about it and we thought that it was mainly things such as a same-sex couple could contract AIDS through kissing even though neither were infected. It sheds to light that being in a same-sex relationship and sharing intimacy like straight couples do, does not contract the AIDS virus like they were told back then.

The theme that I have noticed when talking to many people about AIDS and its affects is that "if you are gay or take drugs you can get AIDS" without any kind of factual information or further explanation on the vague answer. Recently the topic of marriage equality was passed by the Supreme Court in June of 2015 making many right winged people upset about the fact and protesting with signs saying things such as "God Hates Fags" or "Gays WILL Burn in Hell" etc. As a Christian woman who believes in loving everyone like Jesus did, I found this absolutely appalling. Who are we to say that people who go against things we are taught and tell them that they are hated by God or that they are definitively going to burn in hell? Was it not by the grace of God that we are now saved from our own sin? It's disgusting to see, but the photos of each protest shows a greater picture, love does trump hate.
Between the silence of people who are then quick to point the finger for the cause of AIDS to be from homosexual intimate relationships and drugs, that simply, and the religious hate against the LGBTQ+ community it has one thing that sticks out for me, same sex relationships are negative based. Yes, we have made incredible strides into showing both support and tolerance for the community there are still many who believe that "AIDS is caused by gay people" is what my grandmother would call it. Yet, both of these images though different in sight have a similar message of love trumping hate.


Gary Fury's AIDS Activism

It's All About Love

Post One


Agitprop is the act of political propaganda through art or literature.  Agitprop can be seen happening a lot right now due to the recent presidential election.  People are unhappy with the results, and there are just about protests all over the world because of it, but agitprop has been going on for years.  The agitprop artist that I decided to pick was The Yes Men.  The Yes Men primarily use media for political sabotage.

The Yes Men work to raise awareness about social issues, and political issues that are a problem.  This group was created by two men by the names of Jacques Servin and Igor Vamos.  Jacques Servin and Igor Vamos are both past professors.  Jacques Servin taught at Parson the New School for Design, and Igor Vamos is on the art faculty of Rensselaer Polytechnic Institute.  Suprisingly Igor Vamos, and Jacques servin both had grandfathers that were killed in the Holocaust.  The two of them met in the 1990's through mutual friends.  When Jacques Servin got fired from his job as a computer game programmer him and Vamos worked together on one of their first stunts.  It is actually kind of comical because they switched the voices of Barbie dolls on shelves at toy stores with those of G.I. Joes.  This ended up on the news when a handful of confused children were interviews.  Tired of all of the political nonsense The Yes Men decided it was time to take a stand.  This whole ordeal started when they created their mock website of the World Trade Organization, and people thought it was the real website, but it reality it was a spoof.  Some of the other stunts that The Yes Men have pulled is acting as spokespeople for Mcdonalds, Dow Chemical, and the United States Department of Housing and Urban Development.  During the 2000 United States Presidential Election The Yes Men created a website that mocked presidential George W. Bush.  The name of the website was www.gwbush.com, and George W. Bush took extreme offense to saying that website criticized him too much.
Picture of The Yes Men

When Barack Obama first got elected president he was talking about his plans to end the war in Iraq.  The Yes Men created a fake New York Times newspaper that had a heading on the front cover that in big letters read "IRAQ WAR ENDS." This paper was handed out to hundreds of people all over the world, and eventually made it on CNN the next day.  The paper was July 4, 2009, but this whole scandal actually took place in 2008.  Everything about the paper looked completely real being that the paper was 14 pages long just like a regular New York Times paper.  The reason they wanted to pull this stunt off was because they wanted change.  At the time this was a big issue, and it was a way of reminding people that the war still could end after it had gone on for a previous eight years.  Some of things that allowed them to get this done was volunteers, donations to get the paper printed.

There really is not much of a relationship between The Yes Men and Joshua Mcfadden except that fact that the both of them felt that there was a problem that needed change.  The problem that Joshua Mcfadden felt that there was, was the way that people were treated based on the darkness of their skin. Joshua ended up making this into a big project, and naming the project "colorism."
Hoax Newspaper that the Yes Men Created



The Yes Men

Joshua Mcfadden Website

Yes Men on Wikipedia -> "The Yes Men." Wikipedia. Wikimedia Foundation, n.d. Web. 12 Feb. 2017.

https://en.wikipedia.org/wiki/The_Yes_Men

"Steve Lambert & Andy Bichlbaum (Yes Men) on CNN - New York Times Special Edition | Eyebeam.org." Eyebeam Front Page. N.p., n.d. Web. 12 Feb. 2017.

Yes Men on CNN -> http://archive.eyebeam.org/press/media/videos/steve-lambert-andy-bichlbaum-yes-men-on-cnn-new-york-times-special-edition

Post 1: Oscar Martinez

           The agitprop that caught my attention was a flag announcing a lynching was yesterday. It seems to deliver a strong message and very graphic one. Hung on the streets of NYC where everyone can see it and not only that but to be published and shown as a strike on colored people. A great and powerful way to display what agitprop can do. One of the artist that caught my attention throughout the articles was Yoko Ono’s where her work and exhibits were strongly influenced by aspirations she wants people to achieve and what she stands for. When I researched this woman she had a lot of artwork came up mainly agitprop that had to do with women’s rights and being strong and school children. She is a strong peace enthusiast and her art shows it. She has her own website called imaginepeace.com where to no surprise she displays old and current peaceful marches around the world and his music as well as art displays for everyone to come and see. One of his most recent works of agitprop are the wish trees for peace which is very morbid in my opinion but delivers a strong message. It consists of a tree small fragile and looks to be almost near death covered in little paper notes filled with messages of peace. This exhibit is called YOKO ONO: Wish Trees for Peace and is being displayed at Jan Shrem and Maria Manetti Shrem Museum of Art, UC Davis, Davis, California. It is one of her most recent works and is currently on display now till March 26,2017. But the art exhibit that was really creepy but cool the Arising- A call exhibit where women send in a testament about harm being done to you about being a women along with a picture of your eyes and then Yoko ono displays it on a wall for everyone to see. This agitprop relates back to an article by Susan Sontag where a picture can mean a whole lot of different things and it depends on the person who is looking at it. When I look at Yoko art wall I didn’t know whether to be scared or amazed and I can imagine to some people this isn’t even art. As Susan Sontag said “Photographs furnish evidence. Something we hear about, but doubt, seems proven when we're shown a photograph of it.” All these images and art all have a message behind them and that is what agitprop is all about. 

         Another work of art that is almost the same but really isn’t considered agitprop is the work by Joshua Rashaad McFadden he takes the history he grew up with and what he was surrounded by growing up, a life filled with raciest people and believing white was the superior race. He takes pictures and videos and converts them into works of art to show people that blacks and whites are all the same. One particular work of art of his caught my attention but it related very closely to Yoko’s work. Was his project where he would take pictures of beautiful black women scolded and verbally abused growing up for being black and hang them on a fence proudly so everyone could see how beautiful they were and so that they wouldn’t have to be ashamed. Both works of art both Joshua’s and Yoko’s are very similar. Both use the same method of reaching the audience through pictures and the messages are similar was well showing the abuse these people have gone through. The only thing setting them apart is that Yoko’s work is giving off a message not just to one race but to all. While Joshua’s work is only targeting the black population. Both have the same philosophy that while it might just be and image or a work of art to you there is a story behind it. It's meant to be beautiful but ugly at the same time. These people were and maybe are currently being abused and that’s the reason this art came to be.

Post 1- T'ana Salinas


                                          Amnesty International/El Zeft


Amnesty International and Egyptian Artist El Zeft, collaborated on a project to address the many human rights violations happening in Egypt. Amnesty International is a global movement of more than 7 million people who are against the injustices happening all over the world. They also campaign for a world where human rights are enjoyed by all. El Zeft is a famous Egyptian street artist who created a mask depicting Egypt’s ancient queen Nefertiti, who was a powerful Egyptian woman figure, to give woman a symbol of the revolution. El Zeft also only creates art that has to do with the revolution happening in Egypt. Together Amnesty International and El Zeft took action against the excessive use of force by Egyptian police against protesters.

In John Berger’s Ways of Seeing, he spoke of how, “Images often refer to the past and always they speak of the future”, similarly the use of the rendition of Queen Nefertiti in the Egyptian protests indicates how a woman was equal to a man then, and then voices how a woman can be equal to a man in the future. El Zeft’s creation has paid tribute to all the women who are fighting for their rights and clashing against the police.In a way, El Zeft's art has come to life thanks to Amnesty International Protesters. An ancient powerful queen has come back to liberate the female rebels of the Egyptian revolution.


In 2011 on a Tuesday In December, in Cairo, Egypt; several thousand women came out to protest against military brutality towards women. These women marched the streets to show their anger towards soldiers who had stripped and beat a woman protester that was unarmed. In the protest for women's rights, a poster of a woman with the words, "Down with military rule, military are liars and we will cut your hand." is carried by many women in the march, but unfortunately the artist who created the drawing is unknown.

This poster, lets call it " Down with military rule", and the project created by Amnesty International and El Zeft, are similar in that they their purpose is to take action against police/military, and for the equality and rights for women; they also take place in Egypt. The artists cannot be compared for one is unknown, but what is known is that the artists did it to create change. The "Down with the military" poster and the Queen Nefertiti mask are very much in the same theme, the difference being that they took place in different marches. Another similarity though is that in a way both of the creations were collaborated on by a large group of people. Thanks to the mass collaboration, the problems that women are having in Egypt are becoming known through out the world. Now that more people know about women's rights issues in Egypt, they are trying to help out in any way that they can to make it better. This is what activist art does, it brings forth issues to the world so that everyone can help solve these issues together.

I choose to talk about these projects because the meaning they have is still very prominent in the world today. Not only are women protesting in Egypt about women's rights and police/military brutality, women in different countries are marching for the same thing. The thing is women are tired of being left out and looked down upon, they all want a say in how they are going to live. Agitprop has made it so that people's feelings get thrown out into people's faces. especially street artists like El Zeft who create art where people usually dwell by, so that they have no choice but to be confronted by the issue's of the community. Hopefully these two projects have inspired many to go out and march for what they believe in so that the world will be able to become more equal.

Sources:
Berger, John, Sven Blomberg, Chris Fox, Michael Dibb, and Richard Hollis. Ways of Seeing. London, England: British Broadcasting Corportion, 1973. Print.
https://www.amnesty.org/en/who-we-are/
http://www.cairoscene.com/ArtsAndCulture/El-Zeft-Revolution
http://www.vosizneias.com/97316/2011/12/20/cairo-thousands-of-egyptian-women-march-against-army-in-fury-over-abuse/








Post 1 - Victor Moya

The art work I decided to chose is Women Don't Get Aids: They Just Die From it by Gran Fury. Fury's collective work is devoted to AIDS activism through agitprop art. The method Gran Fury used to get his message across was in the form of posters, printed ads, stickers, billboards, fliers, and bus signs.

Before social medial made getting a message out to a mass  simple and fast the artist and activist Gran Fury was using a combination of bold graphic design tactics to reach people.  Due to the disastrous government and political inaction, Gran Fury decided to combine the techniques of advertising with information to educate and motivate the general public with slogans such as “Women Don’t Get AIDS and Kissing Doesn't Kill"

Women Don't Get AIDS. They Just Die From It" is a provocative poster in big bold letters. The poster focuses and explains the problem which was "65% of HIV positive women get sick and die from chronic infections that don't fit the Centers for Disease Control's definition of AIDS. Without that recognition women are denied access to what little healthcare exists. The CDC must expand the definition of AIDS."


Utilizing a simple and straight forward advertising the poster grabs attention by making the viewers ask themselves How can a woman not get AIDS, yet still die from the disease?.The poster also gives the viewer enough information to solve the problem by pointing to the health care system asking them to expand their knowledge of Aids.


Fury embraced popular culture and advertisement. He also made art work that demanded that gays and lesbians should be accepted in society which lead me to chose the art work Kissing Doesn't Kill: Greed and Indifference Do also by Gary Fury. Kissing Doesn't kill: Greed and Indifference Do shows three couples kissing and behind them a white background. The people in the poster are young, from different races and seem to be dressed with fashionable clothes. On the left a crossed racial couple kissing, in the center two gay men kissing and on the right two women also kissing. Fury cleverly used the power of advertisement and made his art work seem like a popular clothing advertisement. 


Both works of art are made by the same artist and activist Gran Fury but tackle two different social issues. The two pieces of work clearly show that fury wanted to tackle social and political problems and gives it's viewers a path to a solution. Women Don't Get Aids, and Kissing Doesn't Kill have similar goal which is to get the message across to all society, but use different design and advertisement techniques. Women Don't Get Aid: They Just Die From it is using mostly typography like bold text and giving key statistics to the viewer. Kissing Doesn't Kill: Greed and Indifference Do  focuses less on typography but grabs the attention of the viewer by using powerful  images of young gay and cross racial couples kissing each other. Fury also gives the poster the look of popular ad which is known to attract more people.

Fury's art work is powerful. His work is meant to wake people up and evoke anger. The posters have a  purpose which is to inform and send a direct message to the masses. The messages in his art shed light into problems which society, and specially politicians were not working to solve such Aids, racism and embracing gay and lesbians into society. With great design tactics a strong visuals fury was able to use his work as a positive propaganda  to get his point across. Fury's work is very inspirational and very influential giving today's activist a blue print on how to approach social issues.




https://www.brooklynmuseum.org/exhibitions/agitprop
http://www.vam.ac.uk/blog/network/out-on-display-11-kissing-doesnt-kill
http://collections.vam.ac.uk/item/O76239/kissing-doesnt-kill-greed-and-poster-gran-fury/

Monday, February 6, 2017

Post 1 - Comics and War, Kat Harris

I wanted to write about the Manga and War Exhibition at New Jersey City University because of the amount of visual representation to our history of war. The Manga and War Exhibition were originally organized by the Kyoto International Manga Museum in 2015 and its purpose is to commemorate the 70th anniversary of the after affects of World War II. Manga in general is very popular and widely known in Japanese culture and its influence has made it here in the west coast. 

This is the first time that this exhibition is traveling abroad I was glad to be able to experience it at my own university. The exhibition itself features about 24 manga works by many authors such as Fumiyo Kouo, Machiko Kyom Leiji Matsumoto, Shigeru Mizuki, Keiji Nakazawa, Yuki Ozawa, Yoshihiro Tatsumi, and Osamu Tezuka. The main theme of this exhibition has to do with the effects of World War II so many of the manga illustrates characters experiencing special attacks, atomic bombs, even the effects that took place in Manchuria, and Okinawa.


Keiji Nakasawa's Barefoot Gen Vol. 1
One of the artists I want to talk about is none other than Keiji Nakazawa who created Barefoot Gen, which was one of the works featured in this exhibition.
Keiji Nakazawa was born in Hiroshima in the year of 1939 and around the time when the atomic bomb fell on his hometown he was only six years old. He survived the attack with only minor injuries but he lost his family during the attacks. Keiji faced many hardships while growing up in poverty but he soon found comfort and inspiration from the manga of Osami Tezuka. Osami Tezuka is known as the god of manga and he is well known for his works such as Astro Boy, Kimba the White Lion, Phoenix, and etc. Keiji Nakazawa’s late father, who was an artist himself, also inspired him to pursue art. 

He thus began his career as a full time cartoonist and drew adventure and sports manga for years. He created a visual autobiography entitled I Saw It. The story illustrates Keiji’s experience with the atomic bomb and the after effects in detail. Keiji Nakazawa’s editor was impressed by this work and gave him the green light to create his own graphic novel, which lead to the creation of Barefoot Gen.

The story of Barefoot Gen centers around the protagonist rightfully named Gen who is a fictional model of the author himself. It takes place during the war in Hiroshima before and after the cities destruction by the atomic bomb. Gen and his family struggle to survive some of the horrors caused by the bomb and it shows all the hardships that the protagonist has to experience down the road.

Stan Lee's Tales of Suspense No. 39
I wanted to compare this exhibition to the comic works that have illustrated a similar concept. In the west we have comics that illustrate several war experiences that we have had in our history. For example, I wanted to talk about the Tales of Suspense issue 39 that illustrates the first ever appearance of Iron Man, a hero that we all know and love today. The series was released by Marvel and was created by Stan Lee on March 1, 1963. The issue takes place during the Vietnam War and illustrates opinions and experiences from one side. 

In the story it centers on Anthony Stark who is a weapons specialist who works with the United States government.  He is flown to Vietnam only to be kidnapped and held as prisoner but with the help of a physicist he is able to use the tools around him and build an armored suit that can help keep him alive. Anthony Stark becomes Iron Man for the first time in comic history and he is shown at the end of the issue liberating the Vietnamese village and in a way the reader can assume that the issue is supposed to demonstrate a sense a justice. All of that changes with the later issue of Tales of Suspense where the protagonist does not feel as if his choices were made for justice because of the outcome of the Vietnam War.

The two stories are different because they tell a different timeline of history and they display different emotions for the reader. In Barefoot Gen the reader can feel sympathy for the characters because the characters are seen struggling to survive and interacting with burned victims. There is plenty of death and loss occurring in the story and it reaches out to the reader in an emotional level. 

In the Tales of Suspense comic I feel as if it illustrates a sense of social and political justice because during the time our country was in a war and the reader wants to root for our American heroes because again if you were living in the country at the time I assume most readers thought of the Viet Cong strictly as our enemy. During the time period The United States wanted to prevent Communist takeover and our mindset was very different back then.

The way that these stories are similar is that they are both published comics and both of them take place during war. In conclusion this whole concept was interesting to me because the fact that manga and comics send very strong messages and most of them talk about brief moments in history and experiences from different ends of the globe.


Reference Links:







Post 1- A fight against AIDS

Kristie Perez
Activists, Interlopers, and Pranksters
Professor Cacoilo
2/2/17

                Prior to the development of AIDS awareness and support groups, a collective of artists and activists known as Gran Fury had already established the significance behind the cause through their art work. Using graphics, posters, and the support of other artists they spread a message that would soon become a movement. The Brooklyn museum has recently began a project named Agitprop, a combination of agitation and propaganda, in order to give artists the opportunity to convey their personal feelings on social and political issues through their work. Gran Fury‘s work encouraging awareness for women who have been diagnosed with AIDS has been included in this gallery full of master pieces.
Gran Fury's Agitprop Work
                Since the early 1980’s the collective group of artists have been making an impact on society’s perception of the mortal disease. The empowering poster selected for the gallery includes an image of beautiful women who appear to be participating in a beauty contest. Their art piece also includes informative text illustrating that 65 percent of women who have HIV are denied medical assistance because it is not categorized as AIDS in the health care field (Fig.1 Gran Fury Women Don’t Get AIDS, They Just Die From It 1991). Although this particular art piece was created in 1991, Gran Fury has released various art pieces that have been included in health care offices, bus stops, and other urban art shows. They are popularly known for their agitating, confrontational, and captivating work. The group often uses neon designs, intriguing text, and very forward messages. Defending the  rights of women, LGBTQ community, and needle transferred AIDS victims has made the group both famous and infamous to many viewers.
Gran Fury's 1987 displayed piece
Gran Fury emphasizes the crisis that HIV and AIDS has become over the years, especially in the 1980’s when their journey was first inspired. Many viewers will agree or disagree, but the movement standing up for AIDS victims has since increased awareness, inspired other works, and is nationally recognized as a cause that must be supported. When one group of people chose to make a disruption in regular society, the reaction is motivation for other artists to share their opinions. Artist Leslie Kaliades, who unfortunately passed away of AIDS in 1999, is one of the many artists who were motivated to support women and others who have been victims of AIDS. Her appealing and sentimental self-portrait “THERE IS A LIGHT THAT NEVER GOES OUT” was taken in 1989 but is featured in the Visual AIDS gallery for the current month of February. The gallery celebrates women who were diagnosed with AIDS, continue to fight it, and have unfortunately past away from the disease. The image conveys a melancholic feeling as the artist lays on the bathroom floor looking directly into the camera but her image represents women empowerment, raising awareness, and breaking barriers of social norms.
Leslie Kaliades AIDS Awareness
Kaliades’ piece and Gran Fury's represent a nation of women who have been divided, ignored, and set aside by society. Gran Fury uses propaganda, text, and graphic design to promote their message to the public, in comparison to Kaliades whose work focuses on self-portraits to portray the perspective of a woman facing the challenges of AIDS. Their work speaks to not just women, but everyone else who has been judged, criticized, and rejected by the public due to their health status. Women were able to stand up through these difficult times to support groups, websites, art work, and even establish organizations where women can be checked and cared for such as Planned Parenthood. Their art work educates, promotes personal growth, and stands up for a country full of people affected by a chronic disease that has no cure. Kaliades was a victim of AIDS and did not allow it to bring her down; she used images of herself, scenery, and animals to depict her message. Her images not only expressed her emotions of being ill but also helped her cope with the disease, as many others who use art work as motivation to keep pushing forward. Having the support of organizations, artists, and yourself are essential to caring for this disease.

Leslie Kaliades' personal experience piece 
Gran Fury and Kaliades are two strong examples of how propaganda can positively influence society. A collective of artists can make an incredible difference to its viewers, just as a single person facing the challenges of AIDS can do the same. Gran Fury’s piece supported women with HIV who were not receiving proper treatment and Kaliades represented a society of women who are victims of the disease. AIDS can lead to discrimination, has resulted in people being fired, and health care has neglected to treat these patients. This disease is more than just a virus; it is a silent epidemic that society does not have the right exclude. Anyone can contract this virus whether they are children, adults, women, or men, the virus itself does not discriminate its host. Using videos, posters, photography, and facts can educate people on what HIV actually is, who it affects, and how it affects their bodies. Using art to inform society is one of the best techniques to captivate the attention of those who do not wish to listen. Gran Fury and Kaliades may have used different art techniques, portrayed a different message, and conveyed different feelings but their work exhibits the power AIDS has to destroy people and the importance of supporting the cause. 

Works Cited
  • ·         Gran Fury.“Women Don’t Get AIDS, They Just Die From It.” Brooklyn Museum. Public art fund, New York and the museum of Contemporary Art, Los Angeles, 1991, https://www.brooklynmuseum.org/exhibitions/agitprop.
  • Https://www.facebook.com/visualAIDS. "Leslie Kaliades." Visual AIDS. Visual AIDS, n.d. Web. 08 Feb. 2017.
      

Saturday, February 4, 2017

POST 1 Bridget Benitez

Bridget Benitez
Post 1
Due Date: February 8th

NJCU Art Gallery: Manga and War

Kami no toride 
Manga and War is an International Manga Museum that is displayed in New Jersey City University Art Visual Arts Gallery supported by the Japan Foundation. The exhibition features different artists such as Fumiyo Kouno, Machiko Kyo, Leji Matsumoto, Shigeru Mizuki, Keiji Nakazawa, Yuki Ozawa, Yoshihiro Tatsumi, and my personal favorite Osamu Tezuka. These Japanese comics take place during WWII – it's one of the darkest time of our history. In these mangas, the artists are really detailed in their drawings – seeing it and reading it it's two different things.

Osamus Tezuka (1928-1989) better known as the “God of Comics “was best known for his epic manga such as Astro Boy. Tezuka wasn't only a Japanese manga artist, he was a cartoonist, animator, film producer, medical doctor and activist. What fascinated me about Tezuka is that he was always on the side for Love and Peace. WWII one of the darkest periods of our worlds history – however, every nation only tells their side of the tale. As a millennial, we have the advantage and the freedom to read non-fiction and fictional stories from all around the world and in different languages.  

The International Manga Museum has Tezuka Osamu's manga Kami no toride (Paper Fortress. 1974) displayed for students. Under this manga they give a brief background on Tezuka's life during the war and it states that “Tezuka grew up in Takarzuka city. Hyogo prefecture and drew autobiographical works based on his experiences at the ends of the war when he was in middle school (roughly equivalent to a modern high school student.) Even during senseless military drills and air-raids Tezuka impressively continued drawing his beloved manga.” Tezuka was man of peace – even though there was so much violence going on, he still made time to draw and makes mangas – especially made for the children. In Kami no toride, is a graphic autobiographical manga that takes place in Japan during WWII through his eyes. Tezuka survived a fire-bombing and witness various people die – this is what influence him to be a man of peace and love.  
NJCU Manga & War




Cherry Blossom Viewing Picnic


Brooklyn Museum: Cherry Blossom Viewing Picnic (Asian Art)

In the Brooklyn Museum, they have various Japanese ancient art such as The Cherry Blossom Viewing Picnic. This ancient drawing features popular actors, beautiful women, famous sites, and popular diversions as the springtime tradition of cherry blossom. The artist is unknown since the Ink on color and gold leaf on paper. It calming and beautiful – cherry blossoms are well detailed. The artist is unknown so can't give much background information.

Brooklyn Museum states in the website the following, “In Japan the seventeenth century witnessed an era of political stability that was characterized by an increased prominence of urban culture and a dramatic rise in the economic and social status of formerly middle-class groups such as merchants, artisans, and the lesser ranks of the military. These groups used their new prosperity to support new genres of art that represented urban life, particularly the fashionable activities of the entertainment districts.”

During the Hanami it would be a traditional Japanese custom to view and admire the beauty of the flowers that only grow once a year. The practice of hanami is centuries old, however they still follow the tradition till this day. 

Compare & Contrast


NJCU Art Gallery: Manga and War
Tezuka Osamu's manga Kami no toride
Brooklyn Museum: Cherry Blossom Viewing Picnic (Asian Art)
Current Event
70th anniversary of the end of WWII
Tradition Cherry Blossom Festival
Emotion
Dark
Light
Theme
Action, Tragedy
Calm, Soothing
Time Period
World War II, 1950s
17th Century, Edo Period, Kan'ei Era
Place
Osaka, Japan
Unknown, Japan
Type
Manga, Comic Book, Cartoon
Traditional Ancient Painting
Today
Historical
Historical


Even though both painting are traditionally made in Japan, the images are from two different time periods and two different artists. Each one is unique and easy to distinguish the difference between the two. Personally I like both because there is a different setting of emotion. The Cherry Blossom Viewing Picnic is relaxing because of the cherry blossom trees and the colors – they are fighting, instead admiring the cherry blossoms. Kami no toride is a whole manga book – the scenes aren’t as graphic but you can get a sense of it. It’s very sad on how he survive during that bombing I believe. You can feel the artist emotion and imagine how horrific it must of have been – how did he survive to tell the tale.